Monday, May 21, 2007
June 1st - July 15th 2007
Open Evening 8th 6:30 - 8:30
Space Station Sixty-Five
65 North Cross Road
The Nexus Treatment
A Space Station Sixty-Five Window Project
Diamonds are forever ...
Seen through these St. Laurent glasses
And I’ve realized that I’ve arrived...
Kanye West, from Late Registration
In the crystalline animated world of Sarah Doyle “The Nexus Treatment” whirls and sparkles forever and ever. Counter intuitively utilising a hand made methodology,and consciously eschewing technological processes Doyle has crafted a Victorianesque hall of mirrors, with images taken from popular culture.
In the often rarefied realm of pedantic high art Doyle’s constituency is a revolutionary one She passionately and precisely studies and reveals the complex codes of young teenagers. Trawling through outdated hip hop videos, talking to and working with her younger siblings she identifies the “watch me now” shapes and movements which signify a universal need to belong, to be part of a group to fit in and to show off.
Doyle’s appropriation of this world, however, is no cheap holiday, there is an immersion and identification with it which goes back to her own experience of arriving in England as a teenager having been brought up in Africa. Unaware of the prevailing popular culture signifiers, references to TV shows, and imperceptible shifts in style she found herself to be “uncool” an outsider.
Her work meshes this yearning to belong, with a magical kaleidescopia of desire. The looped hand drawn images revealed in the facets of the spinning jeweled mirrors, when cut from their original meaning, take on a hypnotic quality. Like tarnished ballerinas on the top of a music box, Doyle’s tough girls dance for eternity in their strangely compelling cabinet of curiosities.
The Nexus Treatment is based on the title of a salon sign Doyle found near her home in South London. When googled, Doyle was amazed to find that it was revealed to be “an organization that designs and operates treatment programs for a wide range of child and adolescent problems” and it was also “a conditioning treatment used on Afro hair to make it more silky and straight like Caucasian hair” Both meanings strangely reverberated with the artist’s work. “I really liked the name” says Doyle “ it sounded futuristic and with the nexus meaning the center of focus it fitted with the work I had in mind”
Mixing futuristic elements and contemporary cultural references with clunky hobbyesue machinery, The Nexus Treatment signposts not only novel methods of art production but also introduces new places from where that work can be made.
Sarah Doyle’s previous work has used other forms of dead media such as using records to create drawing tools. She is currently studying the phenomena of “Ragdoll Jewellery” a type of expensive jewellery worn by people who are not from wealthy backgrounds.
A graduate of Central St Martins, Doyle has shown internationally in Japan and recently at the Michael Jackson gallery in Germany. Her recent animation work was shown at the Whitechapel gallery as part of the Late Nights Programmed/Penned in the Margins. She was part of Splashdown for Space Station Sixty-Five during the Whitstable Biennale 2006 and will be undertaking a commission for Space Station Sixty-Five during 2008.
Sarah Doyle lives and works in London.
Alex Michon is an artist and writer. She is director of Transition Gallery. She writes for Garageland, and is the editor of Arty and Critical Friend. She is currently writing a 'rockabilly stitch-up' about her time working with Bernard Rhodes and The Clash.
Tuesday, May 01, 2007
MAY 3RD at THE WHITECHAPEL GALLERY, E1 www.whitechapel.org
Special Writing/Visual Arts Show from 7pm. FREE.
Artist Sarah Doyle has collaborated with writer Amy Prior to create a innovative, unique piece where spoken words from their new book and sound meet with new hand-drawn animation: Bradferjerlina. New Tzadik signing Pamelia Kurstin provides an original soundtrack using the theremin (Commission for Whitechapel Late Nights Programme/Penned in the Margins)
*'I Can't Believe How Great I Feel' is a new limited edition book that combines a short story by Amy Prior with original artwork by Sarah Doyle. The book is a creative transformation of the story's trashy inspiration: the tabloid press and bad Hollywood blockbuster movies. Their work is especially inspired by extensive, conflicting but supposedly 'true-life' articles about the private lives of several well-known Hollywood actors - and also (interchangeably) by some of the similar fictional characters they play in Hollywood film. For a year Amy and Sarah gathered more than a hundred celebrity magazines, hung out in chain video stores and multiplex cinemas they never normally visited, scanned obsessive film fan sites online. Sarah made drawings; Amy worked with some of these - and also magazine photos, movie stills and dialogue, small 'true life' details from articles, quotes from interviews - to help her imagine a fictional story. The book is the result: a glamorous 'object d'art' that takes celebrity onto a new level.